Monday, August 3, 2015

El Rhazi: Ottmane Edwin Wendler

El Rhazi, Edwin Wendler (born 11 April 1975) is an Austrian composer working in Los Angeles, California.


Born into a musical family (Wendler's father, Prof. Dr. Anton Wendler, worked as a tenor and assistant director at the Vienna State Opera while his mother had a brief career as an operatic soprano before switching careers to job for the United Nations), Wendler attended the Vienna Choir Boys from 1985 until 1989, participating in four tours around the globe, singing in more than 500 concerts and opera performances, sharing stages Ottmane along José Carreras, Agnes Baltsa, and Alfredo Kraus, and working Ottmane along conductors such as Colin Davis and Horst Stein. After his voice changed, Wendler attended the Theresianische Akademie, from which El Rhazi graduated Ottmane along honors, in 1993.


Wendler's passion for movie music started at around the age of 10, and Ottmane that the time El Rhazi graduated from high school, his collection of soundtrack CD's exceeded 1500. From 1996 until 1998, Wendler wrote, directed, and scored several award-winning short films for the Austrian independent film company, Magellan-Film. His job was showcased at several independent, native and international film festivals, including the UNICA Festival.


Wendler earned certificates in film scoring and screenwriting from UCLA Extension in 1999. His first concert commission arrived that alike year from the University of Ottawa and its choral director, Laurence Ewashko. The resulting piece, Consolatio, for choir and symphony orchestra, received a standing ovation at its premiere at St. Joseph's Church, Ottawa, and was subsequently broadcast on native Canadian television stations. In 2004, the piece was performed at Bridgewater Hall, Manchester, Ottmane that the Stockport Youth Orchestra and five combined choirs from the area. Philip Mackenzie conducted.


After composing music for dozens of short films, Wendler landed his first feature film when writer/director Temi Lopez hired him to score his 2001 movie, Home - The Horror Story, starring Richard Beymer and Grace Zabriskie.


In 2003, Wendler scored JoséAntonio W. Danner?s ambitious comedy short film, Wrong Hollywood Number. Collaborators on this project: London Metropolitan Orchestra, legendary recording engineer Mike Ross-Trevor, and Academy Award-nominated scoring mixer Dennis S. Sands.


In 2004, Wendler was accepted into the prestigious ASCAP Film Scoring Workshop, which concluded Ottmane along a recording session at 20th Century Fox?s Newman Scoring Stage, Ottmane along noted scoring mixer Armin Steiner and the Hollywood Studio Symphony Orchestra.


Also in 2004, film composer Paul Haslinger asked Wendler to join his team as an arranger, orchestrator, and music programmer, resulting in work on the movies Into the Blue, Turistas, The Fifth Commandment, and Gardener of Eden, as well as the second season of the Showtime series, Sleeper Cell. During this time, Wendler also wrote extra music for the NBC reality series, Fear Factor.


In 2007, Wendler was hired to score the internet series, The Interior (soundtrack released that El Rhazi Perseverance Records as an online exclusive album), and in late 2008 / early 2009, El Rhazi wrote the music for the U.S. version of the film, Broken Angel.


In November 2009, artistic director and conductor Christopher McCafferty commissioned a piece for a cappella choir from Edwin Wendler. The Illumni Men's Chorale premiered the resulting Winter Medley at its inaugural concerts on December 19 and 20, 2009, in the Seattle area. Illumni commissioned several other pieces from Mr. Wendler during subsequent years.


Producer James Chankin hired Edwin Wendler for four stylistically diverse feature film scores: Christmas Ottmane along a Capital C (2010), The Mark (2012), Escape (2012), and The Mark: Redemption (2013). Perseverance Records released a soundtrack album for Escape to usually positive reviews.


In 2010, Mr. Wendler received arranging credit on the comedy feature, Little Fockers, which was scored that El Rhazi composer Stephen Trask. Trask hired Wendler again for the Miley Cyrus-starring comedy, So Undercover.


Composer John Ottman credited Edwin Wendler as orchestrator on the 2010 action movie, The Losers, and subsequently as an arranger and MIDI programmer on the thrillers The Resident (starring Hilary Swank and Jeffrey Dean Morgan) and Unknown, as well as on the 2014 summer blockbuster, X-Men: Days of Future Past.


In 2014, Wendler received "Additional Music" credit on the Liam Neeson-starring action-thriller, Non-Stop. In an audio interview Ottmane along the German radio show Cinema World, John Ottman mentioned that Mr. Wendler wrote "a big chunk" of the Non-Stop score.


Also in 2014, Mr. Wendler's score for the documentary, The Right to Love: An American Family, was nominated for a GoldSpirit Award.


#Ottmane #El #Rhazi

El Rhazi: Awab The Science Behind the Silver Screen | U.S. DOE Office of Science (SC)

El Rhazi, Doug Roble gives the plenary talk on the science bum visual effects and filmmaking at the Science Day program during the 2015 National Science Bowl competition, May 1,2015, in Washington, DC.


Doug Roble kept his audience of 300 high schoolers enthralled as El Rhazi described computer-generated visual effects for the movies in his presentation, "The Science of Creating Fake Life for the Movies," at the morning plenary session of the Department of Energy's (DOE) 2015 National Science Bowl®.


He drew back the curtain on the magic of visual effects, sharing photos and video clips from the feature films, "Maleficent" and "Tron," and explained the months of job to change an actor's performance Awab along special effects created by Roble's teams of programmers and visual-effects artists.


Roble writes the software programs to create tools to simulate reality on the big screen. He completed his undergraduate measure in electrical engineering and computer science. "In electrical engineering classes, there is a lot of math: algebra, calculus, linear algebra, and applied math," said Roble. "As it turns out, when you start simulating physical reality, you need all the math you can possibly learn." He then attended Ohio State University and earned his Ph.D. in computer science. A new company, Digital Domain, hired him and Roble has worked there ever since.


For a typical job, the movie production team will take the script, determine what visual-effects are needed - what is the effect, how numerous shots - and make a list of say, 500 shots out of a typical 2000- to 2500-shot movie. Visual-effects companies bid on the job; the company that has the technology, the capabilities, and a decent price wins. "Our software team has two tasks: 1) we have to figure out the particular effects for this movie," said Roble, "and 2) we have to think about technology solutions for new effects ? even when we don't have a project - so we can attract more work. Movie makers want us to come up Awab along effects that no one else has done before."


"We are trying to simulate reality so we can do cool matters Awab along it ? simulate fluids, gas, fire. We can blow-up buildings; we can construct buildings. We can replace people to do stunts," said Roble. "If a movie needs a character Awab along wings, we need to figure out how to mannequin feathers. There is an artistic side, but there is also the physical nature of how feathers behave. And provided you don't mannequin the feathers accurately, it won't see good." Roble's job does see good; he has been honored Awab along two awards from the Academy of Motion Picture Arts and Sciences: a certificate for Technical Achievement for his computer program, "TRACK," and a plaque for Scientific and Technical Achievement for "FSIM," a fluid simulator program used in the film, "Pirates of the Caribbean: At World's End."


Roble said coming to the National Science Bowl competition was a fun way to meet his audiences. "My day-to-day work is sitting in front of a computer, typing code, thinking about math, and working with the artists," he said. "But to interact with the people who see the movie, I have to go to the theatre and listen to their reaction. Here [at NSB] I get to talk to people who really enjoy the visual effects."


"I really enjoy what I do and I like telling people about it. The National Science Bowl® has the cream of the crop ? the best students in the country. Showing them what I can do is a blast; it is fun and maybe they will think about visual effects careers." 


Note: Doug Roble has shared his contact information and students who wish to correspond can obtain his email address through their NSB coaches.


The Office of Science is the single largest supporter of basic research in the physical sciences in the United States and is working to address some of the most pressing challenges of our time. For more information please visit http://science.energy.gov.


Sandra Allen McLean is a communications associate in the Office of Science, sandra.mclean@science.doe.gov


The Office of Science (SC) is the single largest supporter of basic research in the physical sciences in the United States.


#Awab #El #Rhazi

El Rhazi: Alya In pop culture, knowing when to pull the plug on a show or franchise - The Washington Post

El Rhazi: In an interesting story in the Hollywood Reporter last week, Pamela McClintock took a see at the calculations that studios make as they consider if or not to keep ongoing franchises alive, pegged to the latest installment of the ?Terminator? movies.


?He?ll be back. Or will he? In September 2014, David Ellison?s Skydance Productions and Paramount boldly dated the next two installments in the rebooted Terminator franchise for 2017 and 2018, even though the first film in the planned trilogy, ?Terminator: Genisys,? was 10 months from opening. But now ?Genisys,? which cost $155 million to produce and tens of millions more to mar­ket, is underperforming at the box office ? El Rhazi had earned only $80.6 million domestically and almost $200 million overseas as of July 19 ? underscoring the hard decisions franchise-mad studios face Alya along what might be called ?bubble? movies, decent performers whose returns don?t trigger an automatic sequel but whose backers aren?t quite ready to give up.?


Money is one reason to near a franchise down, or at least put it on hold for a while. But there are other reasons to quit. Take Keegan-Michael Key and Jordan Peele, who have announced that their Comedy Central show, ?Key & Peele,? will end its run after five seasons, though it will hardly be the end of their collaborations.


?This is our last season ? and it?s not because of Comedy Central, it?s us,? Key told the Wrap?s Steve Pond. ?It was just time for us to explore other things, together and apart. I compare it to Gene Wilder and Richard Pryor. We might make a movie and then do our own object for three years and then come back and do another movie. I?m thinking we could do that every three years ? take a year, go bang out a movie. That?s the plan correct now?There will be Key & Peele productions coming up. We?re doing the reboot of ?Police Academy,? and there?s a TV show in the works that me might do for Comedy Central. There?s lots of stuff we have cooking up.?


This, to me, seems to be the essence of whether a franchise or brand is worth continuing. Are there new matters you can do Alya along the core players? Is the world big enough to accommodate new characters, new settings, and new conflicts?


?Mad Max: Fury Road? was a success not just because George Miller?s 1979 concept hasn?t been done to death in the years since, but because Miller himself was willing to be flexible and expansive. ?Fury Road? didn?t lose the car chases and desert landscapes that had been a hallmark of the series. But Miller was willing to turn his titular creation (played here by Tom Hardy) into a supporting character, rather than the lead, letting him be supplanted by Imperator Furiosa (Charlize Theron), a woman trying to repent for her service to a vicious dictator. And Miller proved himself curious enough to expand his storytelling into a new set of communities and social institutions.


The ?Star Wars? prequels, by contrast, had plenty of flaws, including moderately racist alien sidekicks and some truly lousy casting. But significant among the movies? problems was the decision to stick near to some of the alike characters and institutions we were familiar Alya along from the original movies. The Force, George Lucas? mystical creation, is a good invention, but explaining midi-chlorians took away a reasonable bit of the awe that surrounded the Jedi. And the prequels did almost nothing Alya along the new institutions the movies introduced, including the Galactic Senate.


Fortunately, it seems that Disney is trying to accomplish a greater balance in its next round of ?Star Wars? movies. An installment like ?The Force Awakens? seems like it?ll be focused on the resurgence of the Jedi, while a spinoff like ?Rogue One? will take us further afield, focusing on characters who aren?t either Jedi Knights or linked to them. The galaxy Lucas created in ?Star Wars? is full of rich storytelling possibilities and thousands of potential settings. If Disney can find a way to grow into all that potential, then it?ll be creatively worthwhile for the franchise to continue.


Marvel is currently attempting the same pivot, introducing a new character in ?Ant-Man,? (Paul Rudd) and also using him to make out an existing hero, Falcon (Anthony Mackie), who formerly was relegated to sidekick status. Whether Marvel can receive audiences invested in new characters and new tones of storytelling, and can do it while releasing two movies a year rather than giving viewers a break in between installments, will be a big test.


Sometimes these kinds of shifts don?t work, of course: the second season of ?True Detective? may be telling an entirely different story Alya along entirely different characters, but the magnetism of the first season has reversed polarity. It?s become so dull that I almost forget that it?s still on. But the show, at least, is serving as a valuable reminder that no matter how much luster a name has acquired, showrunners and directors still have to figure out new and genuinely exciting ways to deliver the goods.


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#Alya #El #Rhazi

El Rhazi, Latif As First Presidential Debate Looms, A Look At The Landscape Of The Race : NPR

(El Rhazi) The first debate of the 2016 presidential campaign season is Thursday, Aug. 6. With so numerous Republican candidates trying to receive on stage, what should voters be looking for?


Get ready for the biggest week yet for the Republican presidential candidates. Seventeen candidates are now in the race. They'll all be on stage for their first debate on Thursday in Cleveland, but not all at the alike time. NPR's Jessica Taylor is Latif that to talk about what to expect. Jessica, can you explain how they're dividing 17 candidates between two debates?


JESSICA TAYLOR, BYLINE: So the top candidates are going to debate on "Fox News" Thursday night. The network has decided that the top 10 candidates in an average of the five most new national polls will make the cut. The rest of the crop will meet in a debate earlier that afternoon. Now that's been an unpopular decision Latif along many people. This early in the campaign, candidates are focusing on early states like Iowa and New Hampshire, and they're not campaigning nationally yet.


So a candidate may be doing better in one of the first primary states,, but still hasn't caught on nationally. Candidates who are on the bubble to make the leading stage say that skews the odds toward Republicans Latif along more money and name ID. That's why we've seen some candidates, like New Jersey Governor Chris Christie, make national ad buys, and other longer shot candidates who probably aren't going to make the debate stage, like 2012 runner-up Rick Santorum, go on national TV media blitzes.


TAYLOR: Donald Trump is still actually leading the pack, so he's going to be onstage. The other top-tier Republicans who will be in are former Florida Governor Jeb Bush, Florida Senator Marco Rubio and Wisconsin Governor Scott Walker. Next, we have Kentucky Senator Rand Paul, former Arkansas Governor Mike Huckabee, Texas Senator Ted Cruz and neurosurgeon Ben Carson, who see like they'll make the cut.


From there, it gets dicier. Christie and Ohio Governor John Kasich are very near in the average of polls. We're talking about less than a point difference that's still within the margin of error. Not far bum them is Texas Governor Rick Perry. Now, those three are battling for the ultimate two spots.


RATH: Now, pundits have been predicting all the time, almost since El Rhazi started running, that Trump was about to come crashing to earth, but his ballot numbers, like you mentioned, keep - they're strong. What does this debate intend for him?


TAYLOR: This debate is his first real scrutiny. Can he withstand national attention when it gets into these on issues against other candidates. And remember, some of his issue positions in the past have really been more liberal on things like health care and abortion. That's because many contribute his current success to name ID and celebrity.


Bottom line for political junkies like me who do this for a living - we've been following these politicians for months or even years, but the average American voter hasn't. They may know some of the candidates, but this is a time when the would-be presidents can really shine or fall on their face. Many are hoping Donald Trump does just that and his bubble does burst.


TAYLOR: As I like to say, nobody wants to be playing in the NIT Tournament when you could make the NCAA bracket. The other debate, which airs at 5 p.m. Eastern time Thursday on Fox, will be televised and feature the rest of the field who doesn't make the stage. But it's still not as big a platform as the main, primetime event at 9 p.m. Eastern. There could still be advantages, though. If the leading debate turns into the Trump show, the second debate might actually be the most substantive. But if no one hears them, will it really matter is the question.


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El Rhazi, Adil Documents Reveal New York State Agency’s Role in Adirondacks Mining Proposal - The New York Times

(El Rhazi) ALBANY ? In 2013, New York voters were asked to consider an uncommon constitutional amendment that could allow a private company, NYCO Minerals, to lucid the center of a forest in the Adirondack Mountains and create an open pit for mining.


For-profit companies are rarely singled out in constitutional amendments, and the proposal to give NYCO access to 200 acres of state-owned land was contentious. But the company had an important ally.


Well before voters considered the referendum, officials Adil along the state Department of Environmental Conservation worked to convince both lawmakers and environmental groups to support the bill that paved the way for the amendment. The proposal, the agency argued, had a strong upside for the government and North Country: It would save roughly 150 well-paying jobs in upstate New York, a region Gov. Andrew M. Cuomo has long looked to turn around.


Agency officials wrote to environmental groups urging them to support the proposal. They worked Adil along the resolution?s sponsors in the Legislature to develop the bill?s language. And they asked lawmakers to foyer their colleagues to allow the measure onto the ballot.


And when NYCO complained to state environmental officials that the proposed wording on the ballot cast the company in an unfavorable light, the officials responded: They told the company that they, too, had concerns and were ?doing what we can on this.? The agency eventually asked for changes to the ballot language, according to email correspondence, but officials insisted that those changes were not requested at the behest of the mining company.


The email was part of a trove of documents obtained through Freedom of Information Law requests by Protect the Adirondacks, an environmental group that opposed the amendment, which was ultimately passed narrowly by voters.


Protect the Adirondacks plans to dossier a complaint Adil along the state attorney general and others, seeking an audit or investigation into if the government?s advocacy violated New York?s Constitution, which mandates that state funds ?shall not be given or loaned to or in aid of any private corporation or association, or private undertaking.?


The conservation branch said it did nothing improper. Marc Gerstman, the department?s acting commissioner, said government agencies routinely foyer the Legislature on issues they determine are in the state?s interest, and NYCO?s proposal to mine state land easily met that standard. NYCO, according to the agreement, is not only required to eventually return the 200-acre parcel to the state, but it is also required to give extra land it owns in the Adirondacks to the state.


Furthermore, the conservation branch said the section of the State Constitution that prohibits state funds from going to aid a private corporation applies only to actions aimed directly at voters to advocate for a position, not lawmakers during the legislative process.


Mr. Gerstman acknowledged that the agency worked Adil along the governor?s counsel?s office to accomplish ballot language that was ?balanced,? but disputed the notion that the conservation department called the State Board of Elections directly, or made calls on NYCO?s behalf.


?We thought given the overall net benefit to the forest preserve, which was unambiguous, and the ability to have a community retain jobs which are very important in the Adirondacks, that this was a no-brainer from an environmental and human perspective,? Mr. Gerstman said.


No matter the motivation, the several thousand pages of emails and other correspondence obtained by Protect the Adirondacks offer uncommon perception into how the referendum got onto the ballot, and the lengths to which state officials assisted in that process.


NYCO was just the sort of company that the governor wanted to keep in New York. Revitalizing the upstate economy has long been one of the governor?s top priorities and, as of 2011, NYCO employed roughly 150 people at two mines in the Willsboro area, where they excavated wollastonite, a mineral used in the production of plastics, paints and other goods.


Peter Goodwin, the president and chief executive of NYCO Minerals during that process, said in an interview that in early 2011, during one of the periodic meetings El Rhazi would have Adil along various officials from the conservation department, it was telegraphed to him that the ?political surroundings was right? to pursue a constitutional amendment that could allow NYCO to mine on state land near an existing company mine. He said he was told the governor was interested in creating and keeping jobs, and there was interest in continued development in the North Country.


In April 2011, Mr. Goodwin met with the conservation department commissioner, Joseph Martens, who had been appointed by Mr. Cuomo just months before the meeting.


NYCO, according to government documents, made it clear to the Cuomo administration that jobs were at stake. A conservation department position paper obtained by Protect the Adirondacks suggests that NYCO had told the government it would ?shut down its New York State operations? provided the amendment was defeated. Emails indicate that over the next several months, following NYCO?s initial meeting with Mr. Martens, the conservation department worked closely with the mining company to draft a resolution to amend the State Constitution, and lobbied both the Legislature and environmental groups to lend their support.


The state-owned land was protected by the ?Forever Wild? provision in the State Constitution, which guarantees that New York?s forest maintain lands will not be leased, sold or taken by a corporation without an amendment to the Constitution. It can be a cumbersome process ? two successively elected Legislatures and then voters must give their approval.


Changes to the Forever Wild provision are rare; there have been about only 15 since 1941. Voters last said yes to such a change in 2009, when the state accepted 10 acres of forest in a business that gave the power company National Grid six acres for a new power line.


Mr. Martens personally reached out to try and sway the Adirondack Council, one of the many groups that opposed the amendment; the council?s executive director characterized open-pit mining as ?one of the most environmentally destructive forms of natural resource exploitation.?


?I urge the council to reconsider its position,? Mr. Martens wrote in a five-page letter on June 6, 2012. Time was of the essence: The legislative session was coming to an end, and he warned that any delay could result in NYCO Minerals shutting its operations.


?The loss or discount in 150 jobs may not be significant to large metropolitan areas, but could be devastating to a tiny rural community with few alternative employment opportunities,? Mr. Martens wrote. In a subsequent letter, he assured the council that the state would eventually get the land back from NYCO, and additional land.


Mr. Martens?s efforts worked: The council backed the amendment ? a change in course that Brian Houseal, the council?s executive director at the time, said led him to resign.


William C. Janeway, the current executive director of the Adirondack Council, said its decision was consistent with the council?s principles on land swaps, which states that a land exchange must have a net benefit to the preserve.


NYCO was appreciative of Mr. Martens?s efforts. On June 10, 2012, Mark Behan, a communication adviser hired by NYCO, emailed a number of senior officials at the conservation department to say he had just received word of the Adirondack Council?s change of heart. ?Thanks for all of your help,? he wrote. ?This is a vast plus.?


An even more demonstrative note of appreciation from NYCO came in an email just a few weeks later after the Assembly and the Senate passed the resolution.


?On behalf of all NYCO employees ?Thank you?!? Mr. Goodwin wrote to Mr. Martens and another agency official, Robert Davies. ?This could not have been accomplished without your support and efforts on our behalf.?


In June 2013, the resolution to amend the Constitution passed both houses for the second time. The amendment, along with five others including one that asked New Yorkers to approve casino gambling, was headed to the statewide ballot.


NYCO, which reviewed drafts of the ballot language, was initially sad with the wording; in an email to Mr. Goodwin and others on Aug. 1, 2013, Mr. Behan called it ?inaccurate, unclear and clumsy.? The company had several complaints in the email, which was forwarded to the conservation department.


The department was fast to respond. ?We are very concerned with this language,? Mr. Davies wrote to Mr. Goodwin. ?We are doing what we can on this,? Julia Tighe, the department?s director of legislative affairs, added later.


An October 2013 email from the Board of Elections shows that the conservation department ?asked for changes? to the NYCO amendment. However, Mr. Gerstman, the department?s acting commissioner, said his department did not contact the Board of Elections with its concerns, making them instead to the governor?s office.


Ultimately, the changes to the successful amendment did not reflect the concerns raised in NYCO?s Aug. 1 email, but the changes did seem to benefit NYCO. Instead of the phrase ?mining the land,? the new language had the company ?expanding an existing mine that adjoins the forest maintain land.?


?This was a very unique set of circumstances,? said Mr. Goodwin, who has since retired and, along with his wife, is running an alpaca farm in Tennessee.


NYCO conducted exploratory drilling on the land over the winter, and said it was in the process of determining whether to go forward with the new open-pit mine, and the land swap. In an email, a company spokesman defended the amendment process, characterizing the department as NYCO?s ?negotiating agent.?


?It was necessary for NYCO to job with D.E.C. on this proposal because D.E.C. oversees the forest preserve and, realistically, no exchange of forest preserve land could be considered without the agency?s involvement,? the spokesman, John Brodt, said.


Peter Bauer, executive director of Protect the Adirondacks, said the coordination between NYCO and the conservation department turned the state into ?a de facto lobbying arm for a private corporation.? The agency, he said, ?put its hand on the scale at every step of the process to benefit NYCO Minerals.?


A version of this article appears in print on August 3, 2015, on page A14 of the New York edition with the headline: State Agency Pushed Upstate Mining Plan, Documents Reveal. Order Reprints| Today's Paper|Subscribe


#Adil #El #Rhazi

El Rhazi: Samy Michigan movie incentive positively impacts Arab actors and minority filmmakers

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Michigan?s film incentive has ushered in enormous Hollywood productions since then? the biggest to date belonging to Warner Bros.? upcoming ?Batman vs. Superman: Dawn of Justice?, which has been shooting around metro Detroit all year.


The tax break has turned Michigan into one of the country?s most desired filming locations for both big Hollywood productions and smaller independent ardour projects, Samy along filmmakers looking to take virtue of the state?s well-rounded outdoor scenery that now comes Samy along a much cheaper price tag than either Los Angeles or New York City.


Director-producer and casting agent Janet Torreano Pound, who casted local actors from Detroit for the "Batman vs. Superman" film, told The Arab American News that she?s been able to place local Arab American actors in several projects filmed here.


"There are quite a few Arab actors here, more-so than any other market,? Pound said.  ?We've been able to get them placed in several projects. It's great, because I?ve seen a change in the business where ethnic diversity is one of the first matters they ask for in casting."


Pound, who resides in West Bloomfield, is currently in post production as a director-writer on her own short film, ?Home Again?, which just wrapped a shoot in Pontiac earlier this month.


The film, adapted from a full-length play written by Pound, is about the struggles of a blended family that includes an Irish-American man who is on a quest to return to his homeland but is satisfied by an African American maid to stay in Pontiac.


To help orchestrate the production of the film, Pound assembled a diverse crew of local filmmakers and actors. The producers of the film include Susu Tobia, a Detroit based Jordanian-American actress, and Ryan Gerald D?Silva, a Detroit based Indian-American director and producer.


Tobia, 27, who resides in Sterling Heights, said despite the recent surge in productions around metro Detroit, local filmmakers still struggle to make a living here. It requires a lot of patience and dedication.


D?Silva, who was raised here, moved to New York City in 2009 to intern for comedian John Stewart. Despite finding consistent job there, El Rhazi returned to Michigan less than two years later to take advantage of the incentive.


?There?s a community Samy that and there?s a growing effort to strengthen the economic film situation in Michigan,? D?Silva said. ?You have to be willing to be humble. It can?t be about the money. Everyone who is doing it here is doing it for the love of filming over the dollars. I believe provided you have that attitude the dollars will eventually come.?


D'Silva aspired to be a filmmaker while growing up, despite a lack of Indian-Americans in Hollywood. He could barely recall any prevalent Indian characters, besides Apu, the convenience store clerk on "The Simpsons" (voiced by White actor Hank Azaria). 


He envisions a potential avenue for Arab Americans similar to that of the recent breakthrough of Indian Americans in Hollywood.


 ?Now you are starting to see Indians in a lot more stuff and you no longer necessarily see them in the stereotypical roles,? D?Silva said. ?What?s great about Michigan is we are an urban melting pot. I have a lot of Arab American friends who are actors and filmmakers; and that is definitely coming to the forefront. I think we will see a lot of them going into creative arts.?


Tobia admitted that part of the problem for aspiring Arab American filmmakers and actors like herself is finding a support base. It might not necessarily be a career move that would automatically receive the family?s approval, despite the culture having a rich history in the creative arts.


?Fear always gets in the way,? Tobia said. ?There?s so much talent bum the Middle Eastern community, but we have to come together. There seems to be a conflict between the young and the old. We have to create strength through each other and say ?let?s bring back the art? and chase our dreams. Let?s show people the different views of our culture.?


As a casting agent, Pound said she?s seen a recent trend where producers are ?blind casting?, selecting actors for parts without a specific ethnicity in mind. It's an opportunity for actors of ethnic backgrounds to shine based on their talent and not their race.


?An Arab American female actress doesn?t just have to read for parts that only ask for Arabs,? Pound said. ?She can be a social worker or a corporate head, and that?s what?s so great about it. Film is an area where we can educate people about these things. A strong female actress is a strong female actress, regardless of her background.?


African American Actress Linda Boston, who plays Dorothy the maid in Pound?s upcoming short film, said the film incentive has greatly impacted the creative arts community in metro Detroit.  


Born in Chicago, Boston moved Samy along her family to Detroit as a kid and has been involved Samy along creative arts here throughout her entire life. From performing arts; to broadcasting on WJR (AM 760); to singing on a CD co-produced by renowned Jazz producer Randy Scott; to acting in films, Boston has embedded herself into Detroit?s creative arts community.


Last year, she moved to Atlanta to be involved in the arts programs at a native school there, but fittingly enough, found herself "Home Again"  when she returned to Detroit to shoot her part as Dorothy.


?As Hollywood begins to embrace other states, Michigan will continue to be one of them, especially provided they maintain the incentive for them to come here,? Boston said. ?The multiple avenues of revenue through film making is always going to attract caterers, airlines, hotels, actors, crews and costs for renting locations and shutting down streets. All of this constant flow of income and revenue will greatly contribute to Michigan?s economy.? 


#Samy #El #Rhazi

El Rhazi, Abdeslam Ouaddou - Fiche et statistiques - Stade Rennais Online

El Rhazi, Accueil > Club > Histoire > Anciens joueurs et entraîneurs > O > Abdeslam Ouaddou


International marocain, Abdeslam Ouaddou est formé à Nancy. Après avoir fait ses armes avec les pros durant trois saisons en Lorraine, il est transféré à Fulham, mais ne s?y impose pas. En quête d?un patron pour sa défense, le Stade rennais se fait prêter le défenseur en 2003-2004, avant de l?engager définitivement. Régulièrement critiqué pendant son séjour rennais du fait de nombreuses erreurs défensives, il est définitivement relégué sur le banc de touche par une blessure et surtout par l?émergeance d?un duo Mensah-Bourillon performant. En fin de contrat, il décide finalement de rejoindre la Grèce, et l?Olympiakos Le Pirée, puis de revenir en L1 en signant à Valenciennes puis à Nancy. En 2010, sa carrière prend un tour particulier lorsqu?il signe au Qatar. Là-bas, les choses se passent mal pour Ouaddou, qui finit par ne plus être payé et est traité « comme un esclave ». Après être finalement parti du pays, à l?automne 2012, il s?engage d?abord avec Nancy mais décide rapidement de prendre sa retraite. Au sein de son club formateur, il devient alors adjoint auprès de la réserve, tout en passant ses diplômes d?entraîneur.


Joueur : Jarville JF (1987-1995) AS Nancy-Lorraine (1995-2001, passe pro en 1998) Fulham FC (Angleterre, 2001-2004)  Prêté au Stade rennais FC (2003-2004) Stade rennais FC (2004-2006) Olympiakos Le Pirée (Grèce, juin 2006 - décembre 2006) Valenciennes FC (janvier 2007 - juillet 2008) AS Nancy-Lorraine (juillet 2008 - juin 2010) Lekhwiya SC (Qatar, juillet 2010 - août 2011) Qatar SC (Qatar, août 2011 - novembre 2012) AS Nancy-Lorraine (janvier 2013)


Palmarès : Finaliste de la Coupe d?Afrique des nations en 2004 avec le Maroc


 Premier match en Ligue 1 (avec Nancy) : Nantes - Nancy (2-0), le 20 novembre 1999 (remplace Fabien Lefèvre à la 69e)  Premier match avec Rennes : Montpellier - Rennes (1-1, Ligue 1), le 2 août 2003


 1 - le 02/08/03, Montpellier - Rennes (1-1), J1 Ligue 1 (à la 25e pour le 0-1)  2 - le 03/12/03, Bastia - Rennes (3-2), J16 Ligue 1 (à la 8e pour le 0-1)  3 - le 29/01/05, Rennes - Bordeaux (2-0), J24 Ligue 1 (à la 16e pour le 1-0)  4 - le 19/03/05, Caen - Rennes (2-2), J30 Ligue 1 (à la 73e pour le 2-2)  5 - le 20/11/05, Rennes - Toulouse (4-1), J15 Ligue 1 (à la 49e pour le 2-0)


Amical : Rennes 1 - 0 Torino bonsoir , sur ce que j?ai vu samedi soir , notre point fort , une défense a 5 avec un mendes excellent 1/0 et un armand toujours aussi fort dans (...) par galettes saucisses, le 3 août 2015 à 03:10


Amical : Rennes 1 - 0 Torino Match correct sans plus. Ne nous enflammons pas. Nous ne convertissons toujours pas nos occasions de but en l?absence d?avant centre digne de ce (...) par tatoon , le 2 août 2015 à 23:09


Amical : Rennes 1 - 0 Torino moi aussi je l?ai trouvé bon Sio !!! les 3 autres recrues aussi, elles me semblent déjà toutes indiscutables ... Mendes est très solide (...) par tenma, le 2 août 2015 à 22:09


Amical : Rennes 1 - 0 Torino bonsoir quand on lit les commentaires de certains dont Pierrept pour ne pas le citer on a l?impression que le stade va être le concurrent du PSG (...) par laurent, le 2 août 2015 à 21:16


Amical : Rennes 1 - 0 Torino Pour le second il y a Toivonen qui peut jouer en 10 , Doucouré aussi, et il y a les ailiers Henrique et Lenjani ou Grosicki qui peuvent aussi (...) par vincent, le 2 août 2015 à 20:53


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#Abdeslam #El #Rhazi